东京之行

东京之行

错过了七月的北海道浪漫花田，却赶上了秋季的东京，一股和风悦色的设计味扑面而来，芳香四溢。独特的地理位置以及对外来文化的解构与吸收，让东京乃至整个日本的设计，无不散发着新意、美感却不失传统。

原研哉曾说过，“最美的设计是虚无的”，而虚无之美又传达出设计的多元化，“大”设计的延伸与跨界让此种美丽无处不在。

虚无之美能展示产品的更新换代，东京 “ JAPAN GOOD DESIGN 2014”，以消费者感受为依托来创新和突破产品固有元素。

虚无之美能体现文化底蕴，以日式和风及东方禅意为基础的建筑师隈研吾，塑造温馨之美的“负建筑”；虚无之美能彰显与生活的衔接，设计大师新村则人深入浅出的将“生活中的设计”理念完美演绎；虚无之美能透露设计师的风格，深深感悟中岛英树的简约、大器。

虚无之美无形的贯穿于所有的设计之中，没有局限，没有约束，不限形式，但从不缺乏高度！

在东京，和设计界的前辈零距离的接触，他们对设计精益求精的态度，让人受益匪浅。新村则人在观看了领秀设计作品之后，十分惊讶并表示：“作品很多也很不错，但可以更精简，更加国际化！”；这是一位设计长者对设计作品的理解，更是一种美的引导！在这里，美术馆林立，商业街琳琅满目，你可以从各个层次去感受东京的设计风潮。

子曰：‘见贤思齐焉’。东京七日，前沿的、跨界的、多元的设计文化纷至沓来，“大”设计氛围已然成熟。领秀设计经过15年的历练与沉淀，坚持与升华，每个领秀人都要走出去，去感知这虚无之美，感受“大”设计所带来的美的冲击，我们与设计一起改变，小事大做，大事小做。

Missed July's Hokkaido romantic flower field, but caught up with autumn's Tokyo, a design flavor of pleasant color and wind came, fragrance overflowing. The unique geographical location and the deconstruction and absorption of foreign culture make the design of Tokyo and even the whole Japan radiate new ideas, aesthetic feeling and tradition.

As yuanyanzai once said, "the most beautiful design is nihilistic", and the beauty of nihilism also conveys the diversity of design. The extension and crossover of "big" design make this kind of beauty everywhere.

The beauty of nothingness shows the renewal of products. Tokyo "Japan good design 2014" innovates and breaks through the inherent elements of products based on consumer experience.

The beauty of nothingness can reflect the cultural background, and Kuma, an architect based on Japanese harmony and Oriental Zen, can create a "negative architecture" with warm beauty; the beauty of nothingness can show the connection with life, and the new village, a master of design, can show the concept of "design in life" in a simple way; the beauty of nothingness can reveal the style of the designer, and deeply understand the simplicity and greatness of Nakajima Yingshu Apparatus.

The beauty of nothingness runs through all the designs invisibly. There is no limit, no restriction, no form, but there is no lack of height!

In Tokyo, with the zero distance contact with the predecessors of the design industry, their attitude to design excellence has benefited a lot. After watching the leading design works, Xincun people were surprised and said: "many works are also very good, but they can be more streamlined and more international!" This is a senior designer's understanding of design works, and also a kind of guidance of beauty! Here, there are many art galleries and commercial streets. You can feel the design trend of Tokyo from all levels.

Confucius said, "when you see the wise, think of the wise.". On the 7th of Tokyo, cutting-edge, cross-border and diversified design culture poured in, and the "big" design atmosphere has matured. After 15 years of experience and precipitation, persistence and sublimation, every leader has to go out to perceive the beauty of nothingness and feel the impact of beauty brought by "big" design. We change with design, doing small things, big things and small things.

东京之行

原研哉曾说过，“最美的设计是虚无的”，而虚无之美又传达出设计的多元化，“大”设计的延伸与跨界让此种美丽无处不在。

虚无之美能展示产品的更新换代，东京 “ JAPAN GOOD DESIGN 2014”，以消费者感受为依托来创新和突破产品固有元素。

虚无之美无形的贯穿于所有的设计之中，没有局限，没有约束，不限形式，但从不缺乏高度！

The beauty of nothingness shows the renewal of products. Tokyo "Japan good design 2014" innovates and breaks through the inherent elements of products based on consumer experience.

The beauty of nothingness runs through all the designs invisibly. There is no limit, no restriction, no form, but there is no lack of height!